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Pure

Monday, March 06, 2006

TFR

1. The studio. int. day.

a. The man in the suit plays chess with himself.

b. looking at camera, he makes the hand action of a bull's horns.



2. the car. ext. twilight (if possible).

a. the man stands outside the house (front porch) looking off-camera L or R. a black car pulls up. he opens the door and gets inside.


close up
b. the driver looks over. he is wearing a bull mask. the man in the suit is frightened
immediately a bag or hood comes from the back of the car and covers his head and the car drives off.

wider
c. the black car driving off.


3. the house . int. night.

a. a door from the inside of a house. the suited man comes in through the door as if he is being pursued. he regains composure and starts walking off to camera R.

b. he picks up things in a hallway on tables, looking at them, and then putting them back. he walks off camera R.

c. a tall flights of stairs in profile L to R. he walks up this flight of steps.

d. he comes to the top of the stairs, the crosses over to camera L.

e. he comes to a window. his back is to the camera. he opens the window to see the night sky. he suddenly turns to his left.

f. the man in the bull mask is standing there, carrying a sword.

g. return shot to the suited man.

h. the man in the bull mask starts charging.

i. the suited man bellows.

j. the man in the bull mask stops in his tracks.

k. same shot as e. the suited man leaps out of the window.



4. the lights, the night. ext. night.

a. the suited man stands outside the house on the ground beneath the open window. he begins to walk away camera R slowly, and the house lights switch off one by one.

close up

b. the suited man turns around to look at the now dark house.

wider

c. the suited man walks round to the back of the house and enters.

d. the house lights all come on.










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